![]() The rule for what you want to do : do not trim the clip where the speed change is applied, but rather in a parent sequence. Do not trim this sequence, but put this sequence in the sequence where you are editing, and trim. ![]() There is a workaround that should work: in PP, set the speed on the clip in it’s own sequence. But this happens even before you apply Twixtor… presumably you reset the Time Stretch back to 100 on the clip in AE before you applied Twixtor (the Time Stretch setting is equivalent to the Speed setting in Premiere Pro). You are correct is that the in-points shift. My ideal solution would be for twixtor to work relative to my In-Point.Īny help to save me from my madness is very much appreciated.Ĭreative Video Production Bristol Somerset I guess my question is: Is there a way to retain my original In/Out points after applying Twixtor? Or have I misunderstood somewhere along the way? Clearly a laborious task and so I gave up and didn’t bother purchasing Twixtor. I had to do this for each clip throughout the whole composition. In a recent trial with clips slowed to 80% I had to find the In-Point in Premiere and multiply this by 1.25 to find the equivalent In-Point in After Effects. Once added, my In-Points shift (I assume because Twixtor works relative to the first frame). However, my In-Points are already defined before adding Twixtor. Now, I appreciate that if I were to have started the project in After Effects I would apply Twixtor as described, choose my desired In-Point as required etc. I’ve then copied the composition across into After Effects in order to apply Twixtor and Colour Grading. ![]() ![]() I’ve got a composition of several clips which was created in Premiere to get the video/audio timings right. Having experienced some similar issues I wonder if you would be able to clarify my workflow please? ![]()
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